Originally posted by: biggestmuff
Originally posted by: spidey07
Originally posted by: cmdrdredd
Originally posted by: spidey07
You're receiver wouldn't tell you. YOU DO NOT GET THE SAME SIGNAL. I don't know how to get this through peoples heads. Hook up a spectrum analyzer and measure the jitter of a toslink transmitter and cable. You wouldn't like the results.
Yes I can hear a difference. You can also measure this difference with test equipment.
-edit-
what I mean is you receive the frames, but those frames have clocking differences in them (jitter). This is measurable with toslink, not measurable with coax.
You mean to tell me that your ears are so tuned that you can actually tell what hookup method is used? You're full of shit.
No, just can tell a difference between the two. Tell me then why don't studios use toslink?
cmdrdredd, spidey07 has a history of posting in these threads. He has claimed there's an audible difference in past threads, but has since backed down from those statements. He has also admitted that he has never tested the two connections together, back-to-back under ideal circumstances.
spidey07, studios don't use toslink because it is not a professional level transport. Studios still use high quality, balanced, analog connectivity and AES/EBU for most digital connectivity between processing devices. For transporting files from the DAWs to the server farms, 100Base-T COTS LAN equipment is used with a move towards GIG-E. And with all of that high technology, almost every studio still uses MIDI in some way even though, by today's standards, its speed of 31.5 kBaud is relatively low.